Busy spring!

Happy Passover/Easter/Spring from the Deep South, where we’re already knee-deep into strawberry season.

It’s been a busy first quarter. Last week, I published a quick recap of my Seder shopping adventures in Religion Dispatches Magazine.

Last month, I had an interview with Restaurant Opportunity Centers-United co-founder Saru Jayaraman about her new book, Behind the Kitchen Door (get it, if you haven’t yet) in Clarion.

And in February, I was very pleased to join Dr. Jon Deutsch and other culinary publishing experts for a discussion of culinary textbooks at the Roger Smith Cookbook conference.


Blue Coat

I’m so pleased that the good and fun folks at Streetlight Magazine included my essay “Blue Coat” for their relaunch edition. Spring is such a great time for renewing literary ventures. In honor of Spring and Passover, here’s a quick taste — but I hope you’ll savor the whole magazine. There’s lots of good stuff in there.

Before I went to college I was indifferent about my Jewishness. But explaining lox to my first Minnesotan boyfriend (“I thought it was some kind of bread product,” he said), realizing that I argue for fun and sport, knowing that I would never cross a picket line—hell, that I knew what a picket line was—it all made me realize I wasn’t only a New Yorker, I was a Jew. And not just a generic Jew, but a red-diaper-grandbaby Jew. I began—what else?—to study. (And to go to therapy.) I was already interested in this heritage, but when my grandmother died I felt my tether to my Judaism snap, and ricochet back at me.


Distraction/Forthcoming

It is a fact of literary life that journal publication is sometimes delayed. So it is with the soon-to-be-revived journal scheduled to publish one of my essays. Both essay and journal are “forthcoming.”

But look over here — cake! There are certainly ways that baking a cake is like writing an essay: both depend on confidence, practice, chemistry and a little bit of magic. Good cakes and good writing both boast fine flavor, enough lift to avoid being dense but enough substance to avoid being too light. Like a writing an excellent essay, cake baking balances tradition and innovation, experiment with combinations and proportions and ideas, but stay within some general bounds dictated by common sense and physical limits. Both are best layered, and feature some contrast. Also, if it flops or collapses or just plain sucks, it’s relatively painless to trash the failed experiment. But here are three ways baking a cake is not like writing an essay:  cake baking is linear, low-stakes, and makes your house smell good.

Cake is a good consolation prize for receiving rejections, a real reward for sitting and writing, and productive procrastination for whiling away the time this writer spends waiting for her work to see print. What can’t cake do?


Oil and Water… don’t mix, but we did.

I had such a good time on Sunday reading — and spending time — with Oil and Water…And Other Things That Don’t Mix Editor Nicky Wheeler-Nicholson-Brown and contributors Laura B. Gschwandtner, Ginger McKnight-Chavers, and Maureen Doallas, who graciously coordinated us. (The book is available from Amazon and benefits Mobile, AL charities. Read well and do good at the same time.)

It could have been supremely awkward — meetings of writers often are. And these are not just any writers. These are writers I’m already intimate with, people whose work snuggled up next to mine between the covers of our anthology. I’ve already spent lots of time with their words, so of course I wondered, what would they be like in real life? Would I like them, really like them? Could the be as fab as their poems/stories/essays?

Not to worry — they were.

We did have a friendly lovefest, listening to these ladies’ poems/stories/essays in their own strong voices. I get so much from hearing writers speak their words aloud, from hearing the inflection, the additions and the contractions, the humor — an increased intimacy.

Oil and Water may not mix, but Oil and Water contributors definitely do, and I hope we will again soon!

Thanks to Judith HeartSong for the photo (from her blog) and for hosting us at her lovely gallery. 


Cupcake City

How would you represent your hometown with a specific cupcake and flavor of frosting?

For the first-ever Restaurant Worker Olympics, eight teams from across the US took the challenge — but only one could snatch the gold. Read my piece in the current Brooklyn Rail to find out who won, and how ROC activists are working to win restaurant worker justice in cities across the US.


Unburdened

A secret between a man and a woman from the time of a catastrophe shadows a young relationship in our time of a secret war. (Excerpted in the Brooklyn Rail.)

June 7th 2011,

Asia Society Presents a reading of Modest Productions

Unburdened
by Rehan Ansari

A Reflection On The 10th Anniversary of 9/11

The calamity. How will you know it?
That day when men will be scattered like moth.
And mountains will fly like wool.
Only he will thrive thereafter who is burdened by good deeds.

Al-Quran, Sura Al Qariah (The Calamity, 101:1-11)

Modest Productions
Performed by
Sa’ad Shah, Hirsh Sawney, Bina Sharif, Dania Rajendra & Saniya AnsariJune 7th, 2011; 7:00-9:00pm
Asia Society
725 Park Ave.
New York, NY


Got orange?

Yesterday, I presented my orange sensory and symbolism workshop for the writers at the Suffolk County Community College Literary Festival. My students came up with amazing stuff — and some new analysis of the primary text, Gary Soto’s Oranges — and bright and sometimes hilarious ideas for their own orange-inspired work. I invited them to send in their resulting pieces, I hope they do.

I was also super pleased that the teacher in the room liked it enough to borrow it for his own class. You’re welcome to use it, too. Just drop me and email and I’ll send you the handouts and the outline.

Do you have a poem, story, essay, scene that you admire that includes oranges? Please put it in the comments.


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